Monday I started the outlining for a book that has been on my mind for a long time. I met this character, Rachel Fielding, in 2014. When I tried to write her story in 2015, I would find myself sitting outside of my little writing cubby, on the floor, crying for no reason. I walked away from that book with a firm intention never to pick it up again.
However, Rachel never left me alone.
In considering what to write next, I realized that the time for Rachel’s story had come. Monday and Tuesday offered nothing but frustrating, confusing, angry mornings where I wrestled with her story like twisted sheets in the bed at night.
And then, this morning… breakthrough.
As it turns out, Rachel had been keeping a secret from me. A big one. Why do my characters think they can get away with that? If I sit in one place long enough, and just let them keep talking, eventually they tell me everything. Finally Rachel told me her secret. And now I know at last what part of her secret I am supposed to share with you.
Are you also a writer? What characters are keeping you awake?
Two summers ago, I lived in a small apartment on North Audley Street while on a consulting project. I was also trying to write. I couldn’t seem to make the writing happen, and I never missed the chance to feel ashamed and angry about it.
Instead, I worked on the other project, and wandered the city looking at trees. I made friends with the man who would become DCI Khan, and also the man who would become David. What I didn’t realize at the time was that, even though I wasn’t putting words on the page, I was writing. I was writing what would become In the Twisted Web.
Samuel Johnson famously said, “When a man is tired of London, he is tired of life.” That phrase played around the edges of my imagination. I swatted it away like an insect. Tired of life is against my religion.
On my last morning in London, I walked down to Shepherd’s Market in the rain and had breakfast in a tired diner. I sat next to a lovely older couple, and their joy in one another made me feel all the more alone.
The driver of the car that took me to the airport had good taste in music, and he played Schoenberg’s Pelleas und Melisdande, Opus 5. As London’s green parks and tidy white facades rolled by and the music filled the car, I acknowledged, finally, that I was tired of life.
As I was reading the David Brook’s insightful writing about Samuel Johnson last night before bed, I came across that phrase again. It didn’t sting this time. Somewhere along the way I’ve stopped being tired of life.
I’m still rather bad at it, of course, and I’m often disappointed in myself. I don’t work hard enough or I don’t know when to stop working when I start.
But in the process of making those books, I somehow renewed my pleasure in living.
Where are you in this cycle? What is bringing you joy, or bringing you down? (And please remember, as I did in my one success, down is always temporary.)